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The Autumn Fabrics and Original Vogue Designs issue was largely dedicated to “the warp and woof of the mode”—in this case, the textiles from which then-current styles like the bouffant silhouette were made. To illustrate the bounty and variety of material
Proving that “all the world’s a stage” for fashion is this élégante on the cover of Vogue’s Hot Weather Fashions Number of July 1, 1919. Drawn by Helen Dryden, she navigates the sand and sea in a chic, and heavily accessorized, get-up. Shaded by a tangeri
In its Spring Fashions Number from March 15, 1919, Vogue reported that there were “hints of the Restoration period” in the new modes. “There are certain lines shown by these narrow skirts, a certain freedom of the corsage, and sometimes a bit of long and
“The merriest sort of number is the one marked Vogue, December 15,” the magazine noted. “It fairly sparkles with the infectious gaiety of candles and bells and stockings and all of the joyous paraphernalia of Christmas.” Capturing that holiday spirit is H